![]() ![]() Hmm.With so many opportunities to introduce gain throughout the signal path, to get what you want can be challenging. I may have kept it, but I deleted almost all of the factory patches when I had just bought it. Seems the sound in that first clip is a factory patch named Sharc Sync. Would probably use it a lot more if it was polyphonic, but I'm not sure it would be worth what it would cost, given its current price as a mono. Partly because I have too much stuff and it's more of a hassle to integrate it into my setup than other things I have. It's been sitting unused for long periods of time. Sometimes I like it, sometimes it bores me quickly. Yeah I got mine too before the price increased. The effects are quite limited but can sound pretty good in certain contexts. ![]() Not crazy about the oscillators or the drive but I think the filters sound pretty great. I like that it's a bit different from my other synths and that it can still surprise me. It can do great things, but there's lots of meh between the sweet spots and it's very easy to mess things up. I agree with the conclusion it the video review. It's my most favourite synth, and I truly regret haven't buying 2 of them ( once they were discounted and shipped with a road-case, total 33.2 kg! )Īnd this review: I got mine too before the price increased. I actually don't treat my MatrixBrute as such, rather as a "Weird Sound Laboratory". ![]() In my opinion, MatrixBrute is a MUST synth for electronic/soundtrack music. You know well, that the best way to evaluate a synth is to have it in front of you for a while. ![]()
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